Original Canthrig Bwt gwreiddiol
Gan Dafydd Whiteside Thomas,Chwedlau a Choelion Godre’r Wyddfa, 1998
Dafydd Whiteside-Thomas (Chwedlau a Choelion Godre’r Wyddfa, 1998)

Google translate of version by Dafydd Whiteside-Thomas (Chwedlau a Choelion Godre’r Wyddfa, 1998)
“In the Llanberis pass, close to the cliffs of Mur Mawr, and not far from Ynys Ettws, there is a mass of huge rocks known as Creigiau’r Gromlech (the Cromlech Boulders). Here, many years ago, lived a witch or giantess called Canthrig Bwt. Everyone in the area knew her and kept clear of her, especially the children who would run in terror every time she appeared.
The children of some of the families in the area began to disappear and it was thought at first that some wild animals attacked them and carried them back as prey to the mountains. In time, a dog owned by one of the Cwmglas sons came across a piece of skeleton close to the Cromlech Boulders. It was soon realised that the piece that the dog carried back was a child’s hand. After studying it in detail it was realised that it was the hand of one of the children who had disappeared. It was possible to identify her because that child had a special wound on her fingers.
They started watching Canthrig and the Nant Peris families decided that she had to be killed. One of the bravest men in the area went to the rocks and shouted at Canthrig saying that he had the gift of a young child for her. She replied that she would come out of hiding as soon as she had finished eating the head of the last child she had killed. Before long, she came out of her hiding place under the stones and was rushed by a group of men.
They managed to catch her by the arm and her head was cut off with a sickle.
It is said that she was buried in a place near Tir Coch, near Llanberis. Ever after that, the children of the area had peace.”
Version on the Victoria hotel website
Canthrig Bwt, the cannibal witch, made her home beneath the altar of Y Gromlech and, after having sold her soul to the Devil, she began eating little children.
Reluctant for the children of Llanberis to become the witch’s next meal a brave young man stepped up to vanquish her once and for all. Armed with an iron sword, and blessed by both a Christian monk and a white (good) witch, the young man set off to meet his destiny.
Unfortunately, on arriving at Canrig Bwt’s lair he was so horrified by what he saw he froze in terror. Slowly, terror gave way to rage, and the brave young man flung himself at the witch with all his might.
This is what happened next: “The blessed sword, with holy sprigs and iron stopped the witch in her tracks, about a foot away. She stood still, unable to move he lifted the sword and severed the neck from the body. Her eyes still glowing in her head as it rolled down the mountainside.”
https://theroyalvictoria.co.uk/journal/dolbadarn-our-castle-and-other-llanberis-legends
What might be the meaning of these old stories?
Leanda Thomas did some research for us, using Ai to explore. The results are interesting!
Canthrig Bwt as Archetype
She isn’t just a "witch" or "ogress." She’s a mythic portal—to the ancient psyche, to the devouring feminine, to thresholds between worlds.
Let’s consider some symbolic layers she might embody:
1. The Devouring Mother (The Shadow of the Feminine)
In Jungian psychology, the devouring mother archetype is one aspect of the maternal field—one that consumes rather than nurtures. Canthrig Bwt, who steals and eats children, echoes this deeply.
In Greek myth:
Think Lamia, cursed to devour children.
Or Cronus, who swallowed his offspring—though male, this was a devouring parent.
Psychologically, this can reflect:
Ancestral wounds around the maternal line.
A force that arrests the development of the next generation (e.g., consuming innocence, freedom, or soul potential).
The fear of being swallowed by life, family, obligation, or unconscious patterns.
2. The Crone at the Threshold
Canthrig lives under a cromlech—a stone tomb, an ancient marker. This is a symbolic liminal place—between the living and the dead.
She is like Hecate at the crossroads, or the Baba Yaga in her bone-threshing hut in the forest. These figures:
Guard thresholds of transformation.
Test the soul, often in dark and terrifying ways.
Can be initiators if met with courage.
From this view, Canthrig Bwt may not just be a monster—but a gatekeeper of the underworld journey, demanding confrontation before rebirth.
3. Mythic Echo of Land and Colonisation
Many folkloric “monsters” are remnants of older, pre-Christian deities—once revered, later demonised. The cromlech she dwells beneath may once have been a sacred site.
Her legend may carry:
The residue of older matriarchal or animist traditions.
Suppression of the wild feminine under patriarchal or Christian narratives.
The fear and forgetting of the old ways, now reinterpreted as monstrous.
Think of Medusa—once a symbol of feminine power, turned into a horror story
4. Children as Soul, Imagination, or Future
Her eating of children could symbolise:
The devouring of creative potential.
The loss of innocence in cultures disconnected from myth.
A warning: when the old powers are disrespected, the soul gets consumed.
5. Reclamation and Regeneration
Modern artists and poets (like Lindsey Colbourne) are reweaving her story—not as just a horror, but as a powerful ancestral being.
This is part of a wider movement:
Reclaiming the dark feminine as a womb of creative power, not simply destruction.
Recognising the shadow as teacher, not just threat.
Inviting older myths to inform contemporary healing and sovereignty.
✧ If You Were to Work With Her...
Imagine engaging Canthrig Bwt as an archetypal force:
What would it mean to sit at her cromlech, unafraid?
What does she devour in you that is not real?
What would happen if you midwifed her back into a new form—not silencing her, but giving her back her true name?
You could even explore her as a guide in your retreats or creative works—perhaps the keeper of a threshold that participants must face symbolically. Not as a literal child-eater, but as the one who tests whether we are ready to cross.
Canthrig Bwt as Psychopomp: Guide of the Unseen
We often think of psychopomps—Greek psyche (soul) + pompos (guide)—as gentle: Hermes with winged sandals, or Anubis weighing the heart. But not all guides are tender. Some come with claws. Some wear rags and mud and the scent of roots. Some appear to us only when we are on our knees, at the edge of what we thought we could bear.
Canthrig Bwt may be such a being.
Her function is not moral. It is not sentimental. It is initiatory.
The Threshold and the Stone
She lives beneath a cromlech—a neolithic tomb, or portal stone. In mythic consciousness, this is no coincidence. The stone is not a prop—it’s a cosmic doorway. A marker of crossing.
And it is in the earth, not the sky.
Unlike the vertical gods of light who ascend, Canthrig Bwt dwells below, in the horizontal axis of decay, compost, death. Her domain is not transcendent. It is immanent—mossy, moist, rotting, ancient. She emerges not from heaven, but from the deep underbelly of the land.
This tells us: her guidance is not upward but inward.
She does not lead the soul to escape. She leads it into the dark belly of itself—where the unwept grief lives, where the unloved child still hides, where the ancestors have left their unfinished stories behind like stones in the riverbed.
Soul Guide Through the Night-Sea Journey
In Jungian and alchemical psychology, there is a journey called the nigredo—the blackening, the descent into dissolution. The ego cracks. The former self collapses. Something essential must die so that the true Self might begin to emerge.
The psychopomp appears here—not to stop the descent, but to escort us deeper into it, so that it may complete.
Canthrig Bwt may function in this role. She devours what cannot come with you into the next life-stage. She does not care for your persona, your plan, your self-image. She eats illusions.
In this way, she is not a horror, but a radical ally of soul. A fire-keeper at the gates of the underworld.
Feminine Psychopomps: The Repressed and Reclaimed
In many traditions, psychopomps are male-coded: Hermes, Odin, Anubis. But there are deep feminine guides too—often hidden or feared.
Persephone becomes a queen of the dead, holding the keys to seasonal renewal.
Hecate stands at the crossroads, torch in hand, able to traverse night and soul alike.
Baba Yaga, the Slavic witch, dwells in the bone-house and flies in a mortar—testing all who seek initiation.
Canthrig Bwt belongs to this crone-sorceress lineage. She is not the smiling matron. She is the initiator.
In patriarchy-wounded myth, she becomes a monster. But in soul mythology, she is the midwife of death and rebirth.
She asks:
“What must die in you, that something real might live?”
She is not evil. She is precise. Like a scalpel in the dark.
Psychopomp as Liminal Function in Us
In Jungian terms, the psychopomp is not just mythic—it is also a function within us. It is the part of the psyche that:
Recognises thresholds.
Mediates between the unconscious and the conscious.
Knows how to move between states without becoming split or lost.
In dreams, it may appear as a guide, a voice, a creature, a place.
If Canthrig Bwt arises in your inner world, she may be functioning as:
A necessary destroyer of false identities.
A threshold guardian testing your readiness for the next soul stage.
A truth-speaker, reminding you that you have not yet grieved fully, or let go entirely.
In this sense, she is not outside of you. She is a deep capacity within you—one that can sit in the dark and not flinch.
Reclaiming Her Role in Our Time
Our modern culture lacks thresholds. We are obsessed with positivity, speed, and constant becoming. The underworld is denied.
In such a world, Canthrig Bwt returns not to terrorise but to correct the imbalance.
She brings back:
Initiation.
Pause.
Sacred endings.
She reminds us that not all growth is upward. Some roots must push into the grave of what we used to be.